Then, Salem had a population of about 1, where people traveled by horseback, wagon or river steamer. This style of artistic expression came to be known as pictorialism. Myra loved the outdoors and remembered her childhood as "the wild, free, 'tomboy' life of a Western Oregon small town girl.
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Until about this time, many people defined photography as a scientific, mechanical process that recorded information. In her book, Seekiing From a Pilgrim, Wiggins described part of her day aboard ship during her tour to the Middle East in One of her most distinctive and best-known photographs, "The Forge," was made during a visit to San Francisco inand inappeared in a traveling exhibition sponsored by amature photographer seeking seattle washington Eastman Kodak Company.
The "Kodak Girl" first appeared in advertisements inpresenting an image of a congenial young woman, independent and active rather than a bystander. Although her work was exhibited in a of Photo-Secession exhibits during the next seven years, Myra's independent seartle to photography far outweigh any of her achievements associated with the Secession. Her leadership skills helped launch Women Painters of Washington - a group still active today. Myra claimed that her entry into photography was purely accidental.
Myra's early years in New York provided a base to which she frequently returned, providing a contrast to the artistic isolation of Oregon and Washington. At the same time, her barn studio provided a retreat outside the home where she photographed and painted while remaining accessible to her husband Fred, and daughter, Mildred, born in Jefferson in Pictorial photography with its naturalistic, soft focus style, provided a special niche for women because its standards of seattpe, not controlled by male dominated art academies, were developing as did the movement.
She made her earliest photographs on the Oregon coastal Alaska or on outings to the mountains, including an expedition by pack train to Mt.
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While living in Seattle, beginning inshe continued her study of art, seeking teachers in de, watercolors, and oils. Born on December 14, in Salem, Oregon, the second of four children and the grandchild sewking Oregon pioneers, Myra's sense of independence appeared even as.
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InSnowden Ward, editor seejing Photograms of the Year, wrote of pictorialism: "It is especially suited to women's interests and opportunities, to her keen sympathies and intuition, and in this genre of home life, she should be able to teach much to mere man. She was constantly running from one activity to another, leaping from a painting to her Poetry Club, just as she had rushed from film development to choir practice.
He thought if he asked Myra to be part owner, their father would pay for her part of it. Inamatre age 18, her brother, Joseph had a sweetheart he wished to photograph and wanted to buy a camera.
Individual paintings hung in group exhibitions in Seattle, San Seekinh, Chicago, New York, and Washington, many with honors and awards. She did so at an uncanny speed that might have left others breathless.
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By the time Myra ed the Photo-Secession in February, her photographic renown was firmly in place. My films did not turnout very well today; as I expected, it was too dark in the narrow streets and the focus on my new camera bothers me.
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With Stieglitz as its leader, the member Photo-Secession accelerated the transformation of pictorial photography into an accepted art form. Camera clubs, competitions, and articles in magazines appeared encouraging women to enter the field of photography both as studio professionals and as amateurs who created artistic photographs.
At an age when most people contemplate retirement, Wiggins carved-out another career as a painter. Wiggins' admission into this association served to link her with the photographic avant-garde and reinforce her stature as a photographer, at least historically.
Myra's work as a pictorial photographer continued as she traveled the world. These innovations allowed greater ease in making pictures that could be faithfully reproduced in magazines and newspapers.
To counter this assumption, some photographers, including Wiggins, used the camera for aesthetic purposes by creating images intended to evoke emotional expression. Its dense gloom, with the bright flare of steam and the absorption of the men bending to their work, make up an ensemble of remarkable forces. So amazing were her accomplishments, that as she approached her 84th birthday, her nephew suggested, "Myra has done everything in her lifetime but jump off the Eiffel Tower and she could probably do that safely if she wanted to.
Wiggins showed many of her photographs to Chase and he wrote his comments on the verso of these prints. Life in Oregon did provide Wiggins with plenty of pictorial photographic opportunities.
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In its enlarged form, seeeking took on a much greater power. Even as Salem grew, it was still a small enough town that position and achievements by individuals were noticed and what people did mattered.
Stieglitz promoted pictorialist photography via Photo-Secession exhibitions in the eastern United States, in Europe, and in his publication, Camera Work. The recent inventions of the dry plate negative and half-tone method of photographic reproduction proved advantageous to Wiggins.
I developed two rolls of film and was just five minutes late to practice. Barely 5'1" tall, she moved in a hurry by running in little steps on her toes; friends had to keep up with Myra seekung than Myra keep up with her friends.
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During her long life, she was many things: a painter, poet, writer, singer, art and voice teacher, and mentor to artists. A spirit of adventure repeatedly drew Myra away from home. Photogtapher afterwards I went back and tended to the negatives which were soaking. Wiggins thrived on such a pace, requiring little sleep.
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About seekinf time Myra acquired her camera, women became increasingly active in artistic circles, including photography. Manufacturers of cameras and equipment saw women as potential consumers and created advertising campaigns to capture the female market. That year, Marmaduke Humphrey wrote in Godey's Magazine that "the most striking of the photographs shown at this exhibit was probably 'The Forge.